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One of the talented emerging Chinese artists whose work we’ll be exhibiting at The Affordable Art Fair in Battersea, London next week is Mu Bieni. We caught up with her to hear her own interpretation of a few of her works.

 

MOMO》系列作品创作诠释

Interpretation of the works of “MOMO” series:

Image: “MOMO 2”, 55 x 50cm, Offset Lithography 

It is generally believed that an artist’s ability to express lies in being attracted by visual things and using their instincts to grasp and communicate their essence. My own desire, however, has gradually shifted to adapt the medium of painting; by using this visual format, I work to express the endless accumulation of human emotions that are invisible to our eyes. I don’t know when, but at some point, my creations all began to relate to the theme of “emotion”. The “MOMO” series of works are all experimental drawings based on this “emotional diary”.

With the shift of generations, no matter who you are, it is easy to record the current lifestyle at any time. However, no matter how superior the performance of technology is, it is difficult to record the immediate emotional activities of people. Therefore, I am more interested in extracting factors that can be visualised from the records of daily life, and then express them in an imaginary and illusory way.

In daily life, there are many emotions that are entangled in things and ties. In all sorts of accidents and locks, we live each day and write different stories. I chose those inexplicable fragments that impressed me, digested and reinterpreted them, and then released them. I took the inconsistencies and ghosts felt in this process and reflected them in my work. Although the original form of things and emotions may not exist anymore, I tried to give them new names in a psychedelic way. Let them be the source of my creative ideas and become the mirror of emotional reflection. It may be that I am very interested in people’s deep psychological emotions. I hope that through the visual expression of painting, through the way of appealing to the viewer’s perceptual cognition, we can express our common emotions such as sorrow and sadness, and even beyond. Personal experiences such as infatuation, surprise, jealousy and other complex feelings can be experienced in this way.

 

《西藏生死书》系列作品创作诠释

Interpretation of the series of works in “The Tibet Book of  Living and Dying”:

 

Image: “The Tibetan Book of Living and dying”, 45x 35cm, Offset Lithography

The series of prints, “The Tibet Book of  Living and Dying”, is an illustration of a book created for the religious story of the same name. This book explores how to recognise the true meaning of life and how to accept death correctly. After reading this book on serious life issues, I have incorporated myself into the creation of an independent life in nature and an understanding of one’s life and death. The works are complicated and simple in expression. Starting from the point of the picture – like the spring silkworms are silky – little by little, gradually spreading the imagination of life and death into a whole picture.

We look forward to presenting Mu Beini’s works at the Affordable Art Fair in Battersea from March 7-10. Please use code “ARTCHINAHP” to purchase half-price tickets and come and see us at stand J3!