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One of the artists whose work we will showcase at the London Original Print Fair is Liu Jing. In our last blog post, he began to reflect on his ideas about art and printmaking after exhibiting in a solo show titled “Texture and Daily Life”, held earlier of this year in China. This is part two.

“My work doesn’t focus on trying to be traditional or contemporary. Tradition is good, contemporary is good too. If the work is neither traditional or contemporary, even better. Whats important is that I can live on what I like for many years; how lucky am I!

With my work, my only concern is that I want to do this and I like the way I’m doing things. I think it’s more interesting if I do something this way, that’s all. We know that traditional art today used to be contemporary art yesterday. All the cutting-edge and contemporary things today will become obsolete traditions sooner or later.

Does this have anything to do with me? Instead of worrying over these boring questions and trying to be a pioneer in the art world, I am more willing to get a block, take a knife, and easily sift a pile of sawdust. Or grind the stone, adjust some of the ink, and casually create some texture.

15,000 years ago, one afternoon in the southwest of France, the sun was warm with a gentle breeze. A content hunter who just had lunch woke up from snoozing. The prey in the cave behind him were enough for a few days and he was in a very good mood. Picking up a piece of brown soil from the ground, he painted a few wild horses on the stone wall in the cave to pass this long and boring afternoon. This is my imagination, but also a kind of art that I really love, and a leisurely style of art, although it is difficult to reach the state of real leisure and content!

My recent exhibition more or less revealed my dream, a kind of dream that printmaking gives me, and a refined ‘Daily Life’. In short, it is good to be a printer.”

Head back a post to read part 1 of Liu Jing’s comments on printmaking and be sure to visit us at stand 22 at the London Original Print Fair at the Royal Academy of Arts April 25-28, 2019 to see his work for yourself. If you’re interested in free or discounted tickets to the event, please contact us (available while supplies last).